On 20 December at 18.30, Maestro Enzo Cacciola’s performance will begin. A dialogue established between the Maestro and the Catanese landscape with the use of the characteristic volcanic ash in his artistic practice.
FABRICE BERNASCONI BORZI’ at the BIENNALE MONZA 2023 7 October-10 December curated by Daniele Astrologo Abadal Opening on Friday 6 October at 18.00 Belvedere of the Reggia di MonzaViale Brianza
SILVIA CAMPORESI FUORI TUTTO recounts the vitality and plurality of Italian and international artistic research between painting, sculpture, architecture, photography, video, installation, performance and sound experimentation. The exhibition also becomes the place to recount the working process behind MAXXI’s photographic commissions, such as the collective photographic project Atlante Sapienza, in
Fabrice Bernasconi Borzì E’ questo che sognavo da bambino? (Part II) Curated by Ilaria Monti SPAZIO DISPLAY 27.05.2023 – 09.07.2023 (by appointment only) A basket slowly descends from the balcony of a house in response to the shout of a man or woman from below: “Cala u panaru!”
The series of initiatives celebrating Paolo Masi, on the occasion of his ninetieth birthday, continues, this time at an international level. Inaugurated at the Civic Gallery of Žilina, Slovakia, is the personal exhibition that the Italian Cultural Institute of Bratislava wished to dedicate to the Florentine master who has linked
A solo exhibition that Frittelli Art Gallery wanted to dedicate to the Maestro to celebrate his 90th birthday. “Detachment at a certain point means liberation, the possibility of feeling open and feeling that everything comes to you inside and you repeat it outside”. What did Paolo Masi feel, what did
Elizabeth Moran Installation view of Language in Times of Miscommunication at Scottsdale Museum of Contemporary Art (SMoCA), March 4 – August 27, 2023. Photo: David Blakeman
An exhibition in which Fabrice Bernasconi Borzì, born in Geneva and returned to live in Catania in 2018, talks about himself. A journey back, a reflection on himself that reveals a recurring duality in his artistic creation but also in his personality. Two citizenships, two souls, two attitudes coexist in
Eelco Brand (1969, Rotterdam) uses 3D modelling and digital techniques for his prints and animations. From romantic atmospheres in nocturnal forest scenes to absurd and humorous sequences in which unnatural objects are transformed in the logic of virtual immateriality. Using computer software and animation techniques as tools, Eelco seeks methods
Progetto (s)cultura is the column that investigates the topicality of three-dimensional art, through the voices of some of the most interesting Italian artists, who tell us about their practice. In this episode it is the turn of Carmelo Nicotra. Andrea Guastella. For Carmelo Nicotra, born in 1983, art is ‘a
